Hi , my name is Christopher Hart .
I'm a cartoonist and the author of many books on how to draw cartoons .
And today I'd like to show you , give you a kind of a tip on drawing that I think is a helpful one .
And that is that we sometimes make the hair go completely to the side in a front view .
So things don't stay symmetrical .
If it's everything is symmetrical , it's kind of boring .
So let's let's start off with this kind of like fun kid character here that we will draw nice big rounded head , sort of like an oval .
And here is the center line .
I I'll do this over again in marker .
So you'll see it at the end be bolder and the eye line is very low because he's a young character .
The younger you are , the lower your eyes are relative to the size of your head .
Sure , give them some nice big eyes staring straight ahead and bring those pupil , make big pupils and make them make them a little bit a little bit cross eyed .
This is a touch just for a stylistic look when characters looking forward right .
Then I'll give him just a , just a bit of the nostrils because he's young , going to define the nose .
You lost little smile to the side again , not completely symmetrical .
Everything else is very symmetrical .
So you wanna , you know , stay away from making everything just completely , you know , like a formula .
The same thing with the eyebrows .
You can tilt this one up a little bit , this one's a little straighter and she comes out down to the rounded chin , thin and long neck and a boy character .
Again , I'm gonna go with the marker and darken it .
So in afterwards for a little bit of emphasis , ears and , and these do have to be symmetrical .
It's not , not a great idea unless you're really kooky drawings , which you can do uh to make the ears at different levels , the eyes at different levels .
I am however , going to accentuate the different levels of the eyebrows a little bit .
All right , here we go .
Here's the hair I was talking about , start with a diagonal for the part and bring it back in right , right in front of the ear have build it out in back of the head .
You see it adds more , more mask to the head .
So that's why the top half of the head looks bigger than the bottom half of the head .
A lot has to do with the padding of the hair .
Now , we're going to have this come off the side , build this up right over here .
A little more padding up here like this .
All right .
And now that we have this pretty , pretty much in good shape , we , we will start doing it over again in black and white because that was pencil looks like black and white , but it's actually not , it's gray and white .
That's the great thing about scanners though .
You can scan your art to look black .
Only drawback is if you do that gray look that soft look , you fall in love with , with your pencils won't show it'll all be black , it doesn't selectively do it .
So there's some tricks for that and I will go into those later .
A nice big smile and I'm gonna favor one side of the face again .
A little bit of a lower lip , a small lower lip flatten out this side of the face .
But I'm going to round out this side of the face because this , this cheek is pushing this out .
Everything has an action and a reaction .
It's sort of cartooning according to Newton Walls of motion .
And let's see here .
No real interior details for the ears .
Don't really don't really need them .
Is that part and bring it down here .
Feather this out a little bit , a little extra bits of hair showing like that's build it up , make it look very natural .
And there you go .
There is your boy character and a few ideas on how to draw it in the front of you and keep it interesting .
I've got tons of hints like this on drawing faces for cartoons with my book , Cartoon Faces by Crystal Hart .
That's me .
I'm that guy .
So it's a fun book .
It's got tons of hints on all sorts of techniques .
You're not gonna find other places .
I hope you enjoyed this and I enjoy doing it .
Thank you for joining me .
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Bye bye .